
Close Encounters of the Third Kind (1977)
We are not alone.
Keywords
Close Encounters of the Third Kind rating: IMDb, Rotten Tomatoes and Metacritic
With 91% on Rotten Tomatoes, backed by 7.6/10 on IMDb and 90/100 on Metacritic, critical reception of this film has been very positive.
About Close Encounters of the Third Kind
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
Cast of Close Encounters of the Third Kind

Richard Dreyfuss
as Roy Neary

François Truffaut
as Claude Lacombe

Teri Garr
as Ronnie Neary

Melinda Dillon
as Jillian Guiler

Bob Balaban
as David Laughlin

J. Patrick McNamara
as Project Leader

Warren J. Kemmerling
as Wild Bill

Roberts Blossom
as Farmer
- P
Phil Dodds
as ARP Musician

Cary Guffey
as Barry Guiler
- S
Shawn Bishop
as Brad Neary
- A
Adrienne Campbell
as Sylvia Neary
Close Encounters of the Third Kind facts
- Budget
- $20M
- Box office
- $306.9M
Our take on Close Encounters of the Third Kind
Steven Spielberg's 1977 drama and science-fiction landmark follows an ordinary electricity lineman who, after an encounter with UFOs, feels an inexplicable pull toward a remote stretch of wilderness where something extraordinary is building. Rather than menace, Spielberg treats first contact as awe and yearning, tracking a man whose obsession strains his everyday life even as it draws him toward the unknown. Deliberate and wonder-struck, the film favors mystery and emotional build over spectacle for its own sake. It suits viewers who want science fiction rooted in curiosity and human longing rather than conflict, and who appreciate a patient, quietly transporting approach to the possibility of contact beyond our world.
Ranked by the iRankMovies editorial teamUpdated August 2026MethodologyData sources
Audience opinions
What the audience liked
- •Spielberg captures sense of wonder through intimate human scale within cosmic scope
- •Alien encounter design remains imaginative eschewing conventional monster archetypes
- •Character obsession drives narrative creating emotional investment in impossible quest
What the audience disliked
- •Pacing meanders occasionally losing momentum amid philosophical speculation sequences
- •Final act climax prioritizes visual spectacle over resolving character emotional arcs
Trailer
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