
Public Enemies (2009)
America's Most Wanted.
Public Enemies rating: IMDb, Rotten Tomatoes and Metacritic
With 68% on Rotten Tomatoes, backed by 6.9/10 on IMDb and 70/100 on Metacritic, critical reception of this film has been mixed.
About Public Enemies
Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
Cast of Public Enemies

Johnny Depp
as John Dillinger

Christian Bale
as Melvin Purvis

Marion Cotillard
as Billie Frechette

Jason Clarke
as 'Red' Hamilton

Rory Cochrane
as Agent Carter Baum

Billy Crudup
as J. Edgar Hoover

Stephen Dorff
as Homer Van Meter

Stephen Lang
as Charles Winstead

John Ortiz
as Phil D'Andrea

Giovanni Ribisi
as Alvin Karpis

David Wenham
as Harry 'Pete' Pierpont

John Michael Bolger
as Martin Zarkovich
Public Enemies facts
- Budget
- $100M
- Box office
- $214.1M
Our take on Public Enemies
Michael Mann's 2009 crime drama traces Depression-era bank robber John Dillinger, whose charm and audacity made him a folk hero to a downtrodden public and a target for J. Edgar Hoover's fledgling FBI. As Hoover names Dillinger his first Public Enemy Number One, top agent Melvin Purvis is tasked with hunting him down, dead or alive. Mann shoots the period with cool, digital immediacy, favoring procedural detail and mood over romanticized myth. It suits viewers drawn to methodical cops-and-robbers dramas about the closing net around an outlaw, and to Mann's clipped, professional-versus-professional tension. Expect atmosphere and restraint rather than breathless action.
Ranked by the iRankMovies editorial teamUpdated August 2026MethodologyData sources
Audience opinions
What the audience liked
- •Ambitious historical scope captures Depression-era crime wave with grand scale
- •Stylish cinematography creates period authenticity in bank robbery sequences
- •Epic cat-and-mouse dynamic between lawmen and criminal underworld drives narrative
What the audience disliked
- •Bloated runtime dilutes dramatic impact with excessive supporting character subplots
- •Character relationships lack emotional depth necessary for engagement throughout
Trailer
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